
CASTLE FORBES
Aberdeenshire, Scotland | Established 1996
From a Highland garden. Guided by the art of perfumery.
A Castle Among the Hills
In the countryside of Aberdeenshire, overlooking the River Don and the Vale of Alford, stands Castle Forbes, the ancestral seat of the Chiefs of Clan Forbes.
Surrounded by parkland, woodland and the distant hills of Bennachie, the estate has been associated with the Forbes family for centuries. The present castle, constructed in 1815, occupies the site of an earlier family residence and remains a working Highland estate.
It was here, amid the gardens and natural surroundings of this historic Scottish home, that a rather unexpected enterprise took shape.
Unlike the traditional grooming houses established in London's fashionable streets, Castle Forbes did not begin with a barbershop, a chemist's counter or a shaving instrument.
It began with a love of flowers and fragrance.
From the Garden to the Perfumery
Jinny, Lady Forbes, was a keen horticulturist who enjoyed creating decorative arrangements of potpourri from the gardens of the estate.
Although pleasing to the eye, she felt that the arrangements lacked the fragrance their appearance promised.
She turned to a family friend, Andrew French, whose knowledge of perfumery offered a possible solution.
French began experimenting with aromatic compositions intended to bring the dried flowers to life. What started as an informal favour soon attracted the attention of visitors to the castle, who were captivated by the fragrances and began requesting small quantities for themselves.
As the requests multiplied, the family recognised that the experiment had developed a life of its own.
The decision was made to establish a proper perfumery.
On 8 March 1996, the Castle Forbes Collection was formally founded, with Lady Forbes and Andrew French bringing together their shared appreciation for fragrance, natural materials and the character of the Scottish countryside.
A former dairy building behind the castle was converted into a small perfumery, where the earliest fragrances were developed and prepared by hand.
From these modest beginnings emerged a collection that would eventually find admirers far beyond Scotland.
The Art of Fragrance
The Castle Forbes perfumery was founded upon an appreciation for the traditional methods of fine fragrance creation.
Working with essential oils and carefully selected aromatic materials, Andrew French developed compositions intended to capture something of the character of the estate and its surroundings.
Rather than pursuing the passing fashions of the fragrance industry, the collection sought to express a quieter sensibility: considered compositions, recognisable ingredients and an emphasis on the quality of the finished scent.
The original range included fragrances for both men and women, along with toiletries and other perfumed articles.
As the business developed, its products found their way into distinguished retailers, including Fortnum & Mason in London and Nordstrom in the United States.
Yet the company's greatest distinction would ultimately emerge from a different aspect of personal care.
A New Approach to Traditional Shaving
Andrew French had long experienced discomfort when shaving.
His understanding of fragrance materials, particularly essential oils, led him to consider whether the same care devoted to fine perfumery could be applied to the development of shaving preparations.
He wanted a shaving cream that would provide excellent lubrication, a protective lather and a comfortable experience, while drawing its aromatic character from essential oils rather than conventional perfume compositions.
Developing such a product proved more difficult than anticipated.
The company initially approached an established British shaving-cream manufacturer, but its request for a substantially different formulation was declined.
Rather than accept a conventional product carrying the Castle Forbes name, the team continued pursuing a preparation that would meet its own requirements.
The resulting shaving cream became central to the company's identity.
Its concentrated formulation was developed to produce a fine, cushioning lather with the addition of water, allowing a relatively small quantity of cream to provide a complete shave.
For Castle Forbes, the objective was not simply to create another scented shaving product, but to develop a preparation in which the formulation and aromatic materials contributed meaningfully to the experience.
Fragrance with a Sense of Place
The Castle Forbes shaving collection became particularly associated with its essential-oil fragrances.
Lavender offered a familiar botanical character, while Lime provided a brighter, more invigorating expression. Cedarwood and Sandalwood brought a warmer, woodier dimension to the range.
Alongside these preparations, the company developed fragrances inspired by its family history and Scottish heritage.
Among them is 1445, named for the year associated with the recognition of the first Lord Forbes and the family's position within the Scottish peerage.
With its combination of citrus, aromatic herbs and deeper woody notes, 1445 became one of the company's best-known fragrances.
Originally developed as a fine fragrance, its popularity eventually led Castle Forbes to introduce complementary shaving preparations.
In this way, the collection brought together two related disciplines: the perfumer's understanding of scent and the practical requirements of traditional wet shaving.
Quality Before Convenience
As Castle Forbes grew, the company faced the challenges familiar to many small specialist manufacturers.
The original perfumery could no longer accommodate every aspect of production, particularly as the business expanded into international markets. Manufacturing was therefore entrusted to specialist facilities capable of meeting the necessary production and commercial requirements.
Nevertheless, the company's approach to formulation and ingredient selection remained an important part of its identity.
Andrew French has described the decision to restrict production of certain fine fragrances when suitable aromatic materials are unavailable, rather than substitute ingredients merely to maintain supply.
It is a revealing principle.
Natural aromatic materials vary according to their origin, cultivation and availability. For a perfumer, maintaining the intended character of a composition can require patience and restraint.
Castle Forbes has also taken a practical approach to packaging, replacing heavier presentation materials with lighter alternatives and favouring concentrated preparations intended to last for several months.
These decisions reflect a belief that quality should be considered alongside responsible use of materials and resources.
A Small Perfumery with a Wider Reputation
What began in a converted dairy building has become an internationally recognised collection of traditional shaving preparations and fine fragrances.
Yet Castle Forbes has remained closely associated with the people and place from which it emerged.
The business is rooted in the relationship between the Forbes family and the French family, with Andrew French's expertise in fragrance and product development remaining central to its story.
Its origins are unusually personal, its scale comparatively modest, and its identity shaped by the character of a working Scottish estate rather than the conventions of a large cosmetics company.
The Castle Forbes Collection demonstrates that a specialist enterprise need not abandon its individuality to earn an international reputation.
Sometimes, the qualities that make a business distinctive are those most worth preserving.
Why Castle Forbes Belongs in The House
At The Classic Blade Company, we believe that the finest products often emerge from a genuine understanding of materials, purpose and the people who will use them.
Castle Forbes represents this philosophy in a particularly engaging way.
Its story began with an appreciation for the natural world and developed through the knowledge of a skilled perfumer who was unwilling to accept a conventional solution to a personal problem.
We admire the company's attention to formulation, its thoughtful use of aromatic materials and its willingness to place the integrity of a product above the convenience of uninterrupted supply.
Equally, we appreciate the modest beginnings of the enterprise and the continuing relationship between its founders, their families and the place from which the collection takes its name.
Castle Forbes reminds us that heritage is not merely something inherited.
It is also something created through the decisions made, the standards maintained and the care invested in one's work.
These are qualities we believe deserve a place in The House.
A Scottish inheritance. A perfumer's devotion. A tradition thoughtfully continued.
Selected for The House by The Classic Blade Company.

THIERS-ISSARD
Thiers, France | Established 1884
Forged in tradition. Preserved through craftsmanship.
In the City of Blades
For centuries, the French town of Thiers has been associated with the making of blades.
Situated in the Auvergne region of central France, where the rugged landscape and the waters of the Durolle helped shape a flourishing cutlery industry, Thiers became one of the great centres of European blade manufacture.
Here, generations of craftsmen devoted themselves to the demanding trades of forging, grinding, tempering, polishing and sharpening steel. Knowledge passed between masters and apprentices, families and workshops, giving rise to a manufacturing tradition whose reputation extended far beyond the surrounding mountains.
It was within this world of skilled metalworkers that Pierre Thiers was born in 1860.
By the time he established his own workshop in 1884, he had earned a reputation as a gifted forger, particularly admired for the quality of his straight razors.
His ambition was to create instruments distinguished not simply by their appearance, but by the excellence of their steel and the precision of their cutting edges.
A Name Forged from Family
The name Thiers was already well established within the region's cutlery trade.
Indeed, historical records of the local cutlers' guild, dating to 1582, identify several families bearing the Thiers name among the area's master craftsmen.
When Pierre founded his own establishment, he therefore chose to distinguish it by combining his surname with that of his wife, Issard.
Thus, Thiers-Issard was born.
The name represented more than a commercial identity. It connected the new workshop to a long-established community of blade makers while giving Pierre's own work a distinct place within that tradition.
His reputation rested upon the quality of the instruments he produced, particularly the forged carbon-steel straight razor, an object demanding exceptional control over both material and form.
The Art of the Straight Razor
The traditional straight razor is among the most exacting of cutting instruments.
Its apparent simplicity conceals a remarkable degree of technical understanding. A length of steel must be shaped, hardened, ground and sharpened until it possesses the geometry required to produce a fine, dependable cutting edge.
The balance between hardness and resilience is particularly important.
Steel that is insufficiently hardened may struggle to retain its edge, while a blade that is excessively brittle can be vulnerable to damage.
The craftsman must therefore understand not only the behaviour of the material during forging and heat treatment, but also the influence of blade thickness, hollow grinding and final sharpening upon the instrument's performance.
Thiers-Issard developed its reputation through precisely this kind of specialist knowledge.
Its razors were made to be used, maintained and sharpened repeatedly, allowing a well-cared-for instrument to remain in service for many years.
Generations at the Forge
Following Pierre Thiers's death in 1929, the business remained in the hands of his family.
His widow initially maintained production, supported by their son, Pierre Thiers, born in 1884.
Subsequent generations joined the enterprise, including Louis Thiers and another Pierre Thiers, continuing the family's involvement in the manufacture of fine blades.
Across these decades, the company witnessed profound changes in the shaving industry.
The widespread adoption of safety razors, followed by electric shavers and disposable cartridge systems, gradually diminished the everyday use of the traditional straight razor.
For many manufacturers, these changes marked the end of a once-flourishing trade.
Yet the knowledge required to make a fine straight razor remained valuable to barbers, collectors and individuals who appreciated the instrument's particular qualities.
Thiers-Issard continued to preserve this specialised craft through successive generations.
A New Custodian of an Old Tradition
In 1985, Philippe Thiers, the last family successor, sold the business to Gilles Reynewaeter, an experienced figure in the French cutlery industry.
The change of ownership marked an important moment in the company's history.
Rather than allowing the established techniques and designs to disappear, Reynewaeter continued the production of traditional straight razors while maintaining the wider skills associated with French blade manufacture.
His stewardship also brought together other specialist trades and historic manufacturers, including Georges Goutte cutlery in 1992, Pigeat edged tools in 1995 and Pérard-Dassaud, associated with Laguiole-style knives, in 2001.
These acquisitions reflected a broader commitment to the preservation of specialist metalworking and cutlery traditions.
For Thiers-Issard, the objective remained clear: to retain the knowledge of the traditional razor maker while allowing the workshop to benefit from appropriate developments in manufacturing technology.
Steel, Fire and the Craftsman's Hand
The manufacture of a Thiers-Issard straight razor remains a process requiring numerous specialised operations.
Carbon steel is shaped into the beginnings of a blade before undergoing the processes necessary to establish its final geometry and cutting properties.
Forging, heat treatment, grinding, polishing and sharpening each contribute to the finished instrument.
Among the most distinctive characteristics of the company's razors is the hollow-ground blade.
By carefully removing material from the sides of the steel, the craftsman creates a thin cutting section capable of achieving an exceptionally fine edge.
Certain fully hollow-ground razors are known as rasoirs chantants, or singing razors, a reference to the delicate resonance produced by their finely ground blades.
The scales, which protect the edge when the razor is folded, provide another opportunity for craftsmanship.
Traditional materials such as horn, bone and carefully selected woods are complemented by contemporary alternatives, allowing the character of each instrument to reflect both its purpose and the preferences of its owner.
Decorative work, including engraving, gilded markings and filework along the spine, can further distinguish individual pieces.
Yet beneath these embellishments lies the essential achievement: a precisely made cutting instrument whose quality ultimately rests upon the skill with which its edge has been formed.
An Instrument Worth Maintaining
A traditional straight razor asks something of its owner.
Unlike a disposable blade, it requires careful handling, regular stropping and occasional honing to preserve its cutting edge.
Carbon steel must be cleaned and thoroughly dried after use, and protected against corrosion during extended periods of storage.
These requirements are not shortcomings of the instrument, but part of the relationship between its materials, its function and the person who uses it.
With appropriate care, a straight razor can provide many years of service.
Thiers-Issard continues to manufacture such instruments in France, preserving a form of craftsmanship that might otherwise have become little more than a historical curiosity.
The company's work reminds us that progress need not render every older method obsolete. Some traditions endure because the objects they produce remain fundamentally sound.
Why Thiers-Issard Belongs in The House
At The Classic Blade Company, we believe that the value of a well-made object cannot be measured solely by its purchase price or the convenience it offers.
There is also value in the knowledge required to create it, the materials from which it is made, and the years of useful service it may provide.
Thiers-Issard represents these principles with uncommon clarity.
Its history is not merely a story of commercial survival. It is the continuation of a specialised trade, preserved through generations of craftsmen and sustained by an enduring respect for the art of blade making.
We admire the company's commitment to traditional forging and finishing techniques, its understanding of steel, and its willingness to produce instruments that require care rather than encourage replacement.
A Thiers-Issard razor is not an object to be used thoughtlessly and discarded.
It is an instrument to be learned, maintained and appreciated.
In this, it reflects a belief we hold particularly dear: that the finest possessions are often those with which we develop a lasting relationship.
An edge shaped by skill. A tradition sustained by care.
Selected for The House by The Classic Blade Company.

KNIGHTSBRIDGE
Traditional Shaving Preparations
An appreciation for the everyday shaving ritual.
Knightsbridge offers a collection of traditional shaving preparations, with an emphasis on rich lather, familiar fragrance compositions and the comfort of a carefully prepared shave.
Its shaving creams include distinctive aromatic blends, from the bright citrus character of Bergamot to the softer botanical notes of Aloe Water.
Formulated for use with a traditional shaving brush, these creams bring an element of care and deliberation to the daily grooming routine.
At The Classic Blade Company, we believe that the merit of a shaving preparation should be judged principally by its performance, suitability and the experience it provides.
Our assessment of Knightsbridge therefore begins with the products themselves, rather than claims of heritage or prestige.

SIMPSON'S SHAVING BRUSHES
London, England | Established 1919
Made by hand. Preserved through generations.
The Beginnings of a British Brushmaker
In 1919, as Britain emerged from the devastation of the First World War, a Scotsman named Alexander E. Simpson began making shaving brushes in London.
The traditional shaving brush was already a familiar instrument. For generations, barbers and gentlemen had relied upon it to prepare shaving soap, work up a rich lather and soften the beard before the passage of a razor.
Yet the apparent simplicity of the brush concealed a demanding craft.
The quality of the hair, the density of the knot, the proportions of the handle and the skill with which the materials were assembled all influenced its performance. A well-made brush could provide years of dependable service, while a poorly constructed one might quickly lose its shape or shed its bristles.
Alexander Simpson recognised the importance of these details.
From his modest beginnings in London, he established a workshop devoted to the making of traditional shaving brushes, placing particular emphasis on the quality of their construction.
By the 1920s, the business had become established in Clapham, south London, where Simpson's brushes began earning a reputation among discerning users and professional barbers.
In 1929, the company exhibited at the British Industries Fair, bringing its work before a wider audience.
A Craft Interrupted by War
The Second World War brought profound disruption to Britain's manufacturing industries.
In 1941, during the German bombing campaign against London, the Simpson factory was destroyed.
For many small specialist manufacturers, the loss of a workshop, its equipment and its established premises might have meant the end of the business.
Alexander Simpson chose instead to continue.
Production was relocated to Nimmer Mills in Chard, Somerset, where the company resumed its work away from the immediate destruction of the capital.
The move marked a significant chapter in Simpson's history.
Although its surroundings had changed, the essential craft remained the same. Brushes continued to be produced using the traditional skills of selecting, arranging and securing natural hair into carefully formed knots.
The Somerset workshop would become the company's home for many decades.
An Instrument Made to Endure
By the middle of the twentieth century, Simpson had established a reputation for brushes intended to provide exceptional service over many years.
In 1963, Gentlemen's Quarterly referred to the company's ivory-handled shaving brushes and their memorable suggestion that an owner might never need to replace one during his lifetime.
It was a statement of confidence in the longevity of a well-made object.
A traditional Simpson brush was not designed to be treated as an inexpensive accessory, but as an instrument worthy of consideration in its own right.
The company's collection developed into a range of distinctive handle patterns, many of which became closely associated with the Simpson name.
Among the most recognisable are the Chubby, Duke, Tulip, Colonel, Polo and Persian Jar.
Each offers a different relationship between handle shape, knot dimensions and the manner in which the brush is held and used.
The Chubby, with its compact handle and densely filled knot, became particularly celebrated among traditional wet-shaving enthusiasts.
The Duke offered a more restrained and versatile form, while the Tulip and Persian Jar demonstrated the variety of shapes that could be achieved through thoughtful handle design.
These patterns gave Simpson's brushes an identity that extended beyond their function. Their proportions became recognisable expressions of the brushmaker's craft.
The Preservation of a Traditional Trade
The latter decades of the twentieth century were difficult for many traditional shaving manufacturers.
Electric shavers, aerosol foams and disposable cartridge systems had transformed everyday grooming habits. The shaving brush, once an essential part of the morning routine, was increasingly regarded as an object belonging to an earlier age.
For Simpson, the challenge was not simply to maintain sales, but to preserve a form of manufacturing that depended upon specialised skills.
In 1990, the Simpson business, together with the associated Coates operation, passed into the ownership of David Carter and Francis Woodhouse.
As the years progressed, the ageing workforce and the difficulty of finding suitably trained craftspeople presented an increasingly serious concern.
The future of the company depended upon finding someone capable of continuing its established methods of manufacture.
A New Home on the Isle of Man
In May 2008, Simpson was acquired by Progress Shaving Brush (Vulfix) Limited, a specialist brush manufacturer based on the Isle of Man.
The acquisition was more than a transfer of ownership.
David Carter, who had been closely involved with Simpson's operations, was determined that the company should remain within the British Isles and that its traditional manufacturing methods should be preserved.
He turned to Philip Watterson, then associated with the management of Vulfix, whose company possessed the necessary experience and skilled workforce to continue the work.
The two men shared an appreciation for traditional brushmaking and understood the importance of maintaining the techniques upon which Simpson's reputation had been built.
An agreement was reached, and production moved from Somerset to the Isle of Man.
The Simpson name had found a new custodian.
At the company's workshop, known as The Brushworks, skilled workers continued to make brushes using the hand-tying techniques that had distinguished the firm since its foundation.
The move ensured that an important body of specialist knowledge would not disappear with the retirement of the craftsmen who had sustained it.
The Art of Making a Shaving Brush
A traditional Simpson shaving brush is the product of several carefully coordinated processes.
The making of the knot is particularly important.
Natural badger hair is selected and arranged according to its grade, length and characteristics. The fibres are gathered and shaped by hand, with the craftsperson controlling the density, profile and arrangement of the knot.
The completed knot is secured before being fitted into a carefully prepared handle.
This process requires a trained eye and a practiced hand. Small variations in the arrangement of the fibres can influence the brush's firmness, water retention, lathering behaviour and sensation against the skin.
The handles themselves are produced in a variety of established forms, commonly using durable resin materials that can be shaped, finished and polished to precise proportions.
The finished brush brings together the work of the handle maker and the knot maker in a single instrument.
Its purpose remains unchanged: to prepare shaving soap or cream, retain sufficient water to develop a proper lather and distribute that lather comfortably and effectively.
What distinguishes the instrument is the care devoted to achieving that purpose.
Tradition Without Stagnation
Although Simpson remains strongly associated with traditional badger-hair brushes, the company has also embraced contemporary materials.
Alongside its established grades of natural hair, the collection now includes brushes made with specially developed synthetic fibres.
These provide an alternative for those who prefer not to use animal hair, while offering different characteristics in water retention, softness, resilience and drying time.
The introduction of synthetic fibres has allowed the company to respond to changing preferences without abandoning its established approach to brush design and manufacture.
Its familiar handle patterns continue to be offered in different materials and knot configurations, allowing customers to choose an instrument suited to their particular shaving habits.
More than a century after Alexander Simpson began his work in London, the company continues to produce brushes in the British Isles, maintaining the specialist knowledge upon which its reputation was founded.
Why Simpson's Shaving Brushes Belongs in The House
At The Classic Blade Company, we have a particular respect for manufacturers whose products reveal the knowledge and skill required to make them.
Simpson's Shaving Brushes represents this principle with remarkable clarity.
Its history is not simply one of commercial longevity, but of a craft preserved through changing circumstances.
The destruction of its London factory, the relocation to Somerset, the decline of traditional wet shaving and the eventual transfer of production to the Isle of Man might each have brought an end to the enterprise.
Instead, the skills that defined its work were carried forward.
We admire the company's commitment to hand-tied knots, its enduring handle designs and the understanding that a shaving brush deserves the same consideration as the razor with which it is used.
Above all, we value the deliberate preservation of specialist craftsmanship.
A Simpson brush is a reminder that even the most familiar objects can embody generations of accumulated knowledge.
When properly made and carefully maintained, such an instrument becomes more than an accessory to a daily routine. It becomes something worth keeping.
A century of craftsmanship. A tradition held in skilled hands.
Selected for The House by The Classic Blade Company.

BAUME.BE
Belgium | Established 2011
Born of necessity. Refined through purpose.
A Personal Pursuit of a Better Shave
The story of Baume.Be begins not with a grand commercial ambition, but with a simple frustration.
For years, Belgian founder Karl Indigne struggled with the discomfort of shaving sensitive skin. Conventional preparations, particularly heavily fragranced and alcohol-based aftershaves, often left his skin irritated. He eventually discovered an aftershave balm that provided the comfort he had been seeking. When that product disappeared from the market, he faced a choice: settle for an unsuitable alternative or create something better.
He chose the latter.
Working with a Belgian laboratory, Indigne began developing an aftershave balm that would address the needs of his own skin. What started as a personal pursuit gradually became Baume.Be, a Belgian grooming house established in 2011 with a clear purpose: to make traditional shaving a more comfortable and considered experience.
From a Single Balm to a Complete Ritual
The original aftershave balm laid the foundation for a carefully developed collection of shaving preparations.
In December 2012, Baume.Be introduced its shaving cream, formulated to produce a rich, protective lather while helping to maintain the skin's comfort during shaving. As interest in the brand grew beyond Belgium, the collection expanded further.
By 2014, a pre-shave gel and traditional shaving soap had joined the range, creating a complementary sequence of preparation, shaving and aftercare.
Throughout this development, the guiding principle remained consistent: products should serve a genuine purpose, with particular consideration given to those whose skin is easily irritated by shaving.
Belgian Formulation, Thoughtful Care
Baume.Be's approach centres on the relationship between the razor and the skin.
Its shaving preparations are designed to provide lubrication and cushioning, helping the blade glide comfortably across the face. Ingredients such as glycerine, shea butter and vitamin E feature across selected formulations, contributing to the conditioning and protective qualities of the collection.
The brand's aftershave balm, the product from which everything began, remains central to its identity. Designed to moisturise and comfort freshly shaved skin, it reflects Indigne's original conviction that effective grooming need not come at the expense of comfort.
Produced in Belgium, the collection combines modern cosmetic formulation with the deliberate methods of traditional wet shaving.
Why Baume.Be Belongs in The House
At The Classic Blade Company, we believe that a product earns its place through the purpose it serves and the care with which that purpose is fulfilled.
Baume.Be represents a philosophy we hold in particular regard: that worthwhile products are often born from a genuine need, developed through persistence, and refined with an understanding of the people who use them.
Its origins are modest, its purpose clear, and its approach refreshingly practical.
For those who appreciate the ritual of traditional shaving but require a gentler approach to skin care, Baume.Be offers a thoughtful balance between performance and comfort.
A considered solution to an everyday ritual.
Selected for The House by The Classic Blade Company.
ROCKWELL RAZORS
Canada | Established 2014
Traditional principles. Modern ingenuity.
A Different Way of Thinking About Shaving
The story of Rockwell Razors begins in Canada in 2014, when two university students, Gareth Everard and Morgan Nordstrom, began questioning the direction of the modern shaving industry.
For decades, the traditional safety razor had been overshadowed by disposable cartridges, increasingly elaborate blade systems and the recurring expense of replacing them. What had once been a simple, durable instrument had gradually become a consumable product.
Everard's university research into the environmental consequences of disposable razors helped bring the problem into focus. Together with Nordstrom, he recognised an opportunity to reconsider an instrument whose fundamental design had already stood the test of time.
Their ambition was not to abandon traditional shaving, but to improve upon it.
The result was Rockwell Razors, a Canadian company founded on the belief that a well-designed razor should offer lasting value, greater control and a shaving experience suited to the individual.
Reconsidering a Proven Design
The traditional double-edge safety razor is an elegant piece of engineering. Its replaceable blade, simple construction and mechanical reliability have made it a dependable shaving instrument for generations.
Yet one limitation remained: a razor that performs beautifully for one person may be less suitable for another.
Differences in beard density, hair texture, skin sensitivity and shaving habits all influence how a razor performs. Rockwell's founders believed that the instrument should accommodate these differences rather than expect every person to shave in precisely the same way.
Their answer was an adjustable shaving system built around interchangeable, reversible base plates.
By changing the distance between the blade and the safety bar, the user could select from six distinct shaving settings, ranging from mild to more aggressive.
It was a practical innovation, one that retained the familiar character of a traditional safety razor while allowing the user greater control over its performance.
The Birth of the Rockwell 6S
In September 2014, Rockwell introduced its first razor, the Rockwell 6S, through a crowdfunding campaign on Kickstarter.
Developed with the assistance of engineers, designers and specialist manufacturers, the razor had undergone successive stages of computer-aided design, three-dimensional prototyping and testing.
The finished concept was deliberately substantial: an all-stainless-steel safety razor incorporating three reversible base plates, providing six shaving settings within a single instrument.
The response was remarkable.
The campaign reached its initial funding target within 24 hours and ultimately attracted more than 2,000 supporters, raising approximately CAD 148,000.
What began as a university project had found an international audience of people who shared the founders' conviction that shaving could be approached differently.
Engineering for Longevity
The Rockwell 6S established the principles that would guide the company's subsequent development.
Its stainless-steel construction was chosen for durability, resistance to corrosion and the reassuring solidity of a well-made instrument. Rather than relying on proprietary disposable cartridges, the razor accepts conventional double-edge blades, allowing the cutting edge to be replaced without discarding the instrument itself.
The adjustable plate system also introduced a degree of versatility uncommon in traditional fixed-head safety razors.
A milder setting may be preferred for daily shaving or more sensitive areas, while a more assertive setting can accommodate heavier growth. The user is free to refine the experience according to personal preference.
Rockwell's approach demonstrates that innovation need not depend on complexity. Sometimes, the most meaningful improvement comes from reconsidering a simple mechanical relationship.
A Growing Collection
Following the introduction of the 6S, Rockwell expanded its collection to accommodate different preferences, materials and approaches to shaving.
The Rockwell 6C brought the company's six-setting system to a chrome-plated zinc-alloy razor, while the more compact Rockwell 2C offered a simplified introduction to adjustable safety shaving.
The Rockwell Model T introduced a different mechanical approach, incorporating an adjustment dial and butterfly-style opening mechanism.
Alongside its razors, the company developed a collection of shaving brushes, soaps, creams and accessories, extending its philosophy beyond the instrument itself to the wider shaving ritual.
Although the collection has grown, the original proposition remains recognisable: thoughtfully engineered shaving instruments that place control, comfort and long-term value in the hands of the user.
Why Rockwell Razors Belongs in The House
At The Classic Blade Company, we hold a particular appreciation for objects that demonstrate how thoughtful design can improve an established tradition.
Rockwell Razors embodies this principle.
Its founders recognised the enduring merits of the traditional safety razor, but were not content to preserve the design merely for the sake of nostalgia. Instead, they applied contemporary engineering to create an instrument that respects its origins while addressing the needs of modern users.
We admire this balance between tradition and innovation, as well as the company's emphasis on durability, mechanical simplicity and freedom from proprietary cartridge systems.
A well-made razor should not be considered disposable. It should be an instrument worth keeping, maintaining and using for years to come.
Rockwell's approach reflects that conviction.
An enduring instrument, thoughtfully reconsidered.
Selected for The House by The Classic Blade Company.

EDWIN JAGGER
Sheffield, England | Established 1988
The inheritance of craftsmanship. The pursuit of perfection.
Born of Sheffield's Tradition
There are places whose names become inseparable from the objects they produce. For centuries, Sheffield has been one of them.
Situated among the hills and waterways of South Yorkshire, the city established an international reputation for the manufacture of fine steel, cutlery, silverware and edged instruments. Generations of craftsmen developed skills in forging, shaping, polishing and finishing metal, creating a tradition of workmanship recognised far beyond Britain's shores.
It was within this remarkable industrial heritage that Edwin Jagger would find its beginnings.
Founded in 1988 by Neil Jagger, the company emerged from a conviction that traditional craftsmanship still had an important place in the modern world.
Jagger had developed his knowledge of fine metalwork through his experience in Sheffield's prestigious silverware industry. He understood the importance of proportion, balance, material selection and the finishing details that distinguish a carefully made object from an ordinary one.
When he purchased an attractive but poorly engineered shaving razor, he found himself dissatisfied by the difference between its appearance and its performance.
Rather than accept the shortcomings, he decided to create something better.
A Razor Made in a Cellar
Working from the cellar of his home, Neil Jagger designed and produced his first razor.
Made from brass and intended to accommodate a Gillette G11 blade, the instrument brought together his understanding of metalworking with a personal appreciation for traditional wet shaving.
What began as an individual project soon attracted the attention of friends and acquaintances. Their enthusiasm led to requests for additional razors, and an idea that had begun as a practical challenge gradually developed into a business.
Jagger named the company in honour of his grandfather, Edwin.
Its earliest creations formed the foundation of the Chatsworth collection, named after the celebrated country house situated to the south of Sheffield. With elegant proportions and traditional finishes, including imitation ivory and ebony, these razors reflected the restrained character of English craftsmanship.
The intention was clear from the beginning: a shaving instrument should be as satisfying to use as it is pleasing to behold.
Tradition Meets Modern Engineering
As Edwin Jagger developed, its approach to manufacturing evolved alongside advances in technology.
The introduction of computer-controlled machining enabled increasingly sophisticated shapes, more consistent tolerances and new possibilities in product design.
In 1998, the company introduced its contemporary Bulbous collection, demonstrating that traditional manufacturing skills could be combined with more expressive forms and finishes.
Yet the most important developments were not always the most visible.
The careful relationship between a razor's geometry, weight, balance and blade position remained central to the company's design philosophy. Modern manufacturing processes allowed these characteristics to be refined while retaining the skilled hand-finishing for which Sheffield's craftsmen had long been recognised.
For Edwin Jagger, progress did not require the abandonment of tradition. It offered new ways to preserve and develop it.
The Return of the Double-Edge Razor
In 2008, Edwin Jagger introduced its own collection of traditional double-edge safety razors.
Drawing upon a shaving system whose origins stretched back more than a century, the company developed a razor head intended to provide an approachable balance between shaving efficiency and comfort.
Successive refinements followed in 2009 and 2014, improving the design and manufacture of the head while retaining its established shaving characteristics.
Among the most recognisable results was the DE89, a razor that would become closely associated with the Edwin Jagger name.
Its appeal lies in its simplicity: a carefully proportioned handle, a precisely engineered shaving head and the use of widely available double-edge blades.
For many, it provides an introduction to traditional wet shaving. For others, it remains a dependable instrument long after the novelty of their first safety razor has passed.
A Continuing Commitment to Sheffield
The company's pursuit of improved materials and manufacturing techniques continued with the development of the 3ONE6 stainless-steel razor.
Named in reference to the 316-grade stainless steel used in its construction, the 3ONE6 represents a further expression of Edwin Jagger's engineering capabilities.
Its precision-machined components, carefully considered geometry and corrosion-resistant material reflect the company's longstanding attention to both performance and finish.
Alongside its safety razors, Edwin Jagger has developed shaving brushes, traditional shaving sets, creams, soaps and grooming accessories, bringing the same design-led approach to the wider shaving ritual.
The company also manufactures razors incorporating established cartridge-blade systems, recognising that different shaving preferences deserve equally considered instruments.
Today, Edwin Jagger remains a family-run business, with Neil Jagger continuing to play an active role in its design direction.
From its Sheffield base, the company carries forward a manufacturing tradition shaped by generations of skilled hands, while continuing to embrace the possibilities of modern engineering.
Why Edwin Jagger Belongs in The House
At The Classic Blade Company, we believe that craftsmanship is more than an aesthetic quality.
It is an attitude towards making things properly: understanding materials, respecting their limitations, refining a design until it serves its purpose, and recognising that the smallest details often make the greatest difference.
Edwin Jagger represents these principles particularly well.
We admire the company's connection to Sheffield's manufacturing heritage, its continued commitment to skilled workmanship, and its willingness to combine traditional methods with contemporary technology.
Its instruments remind us that heritage need not be confined to museums or preserved merely for sentiment. It can remain useful, relevant and appreciated in everyday life.
There is something quietly reassuring about an object whose design has been considered, whose materials have been selected with purpose, and whose construction reflects genuine manufacturing knowledge.
These are qualities we believe deserve recognition.
Made with purpose. Refined through craftsmanship. Worth keeping.
Selected for The House by The Classic Blade Company.

TRUEFITT & HILL
St. James's, London | Established 1805
Two centuries of service. A tradition of distinction.
An Institution Born in Georgian London
On 21 October 1805, as the British fleet under Admiral Lord Nelson fought the Battle of Trafalgar off the coast of Spain, a young entrepreneur named Francis William Truefitt opened a modest gentlemen's salon at 2 Cross Lane, Long Acre, London.
It was a time when personal appearance carried considerable social significance. Wigs, carefully dressed hair and refined grooming were established features of fashionable society, and the services of a skilled hairdresser were sought by gentlemen of standing.
Truefitt entered this world as a court wigmaker, hair cutter and hairdresser, working alongside his brother Peter. Within the same premises, he also began preparing his own colognes and pomades, developing fragrances and hair preparations according to his own recipes.
From these beginnings emerged a business that would endure through more than two centuries of British history.
In the Service of the Crown
Truefitt's reputation grew among London's fashionable society, eventually earning him an appointment as Wigmaker to King George III.
It was the beginning of a remarkable association with the British royal household.
Successive generations of the Truefitt family would serve members of the royal court, including George IV and William IV, establishing a tradition of personal service that became inseparable from the firm's identity.
As the business prospered, its presence expanded into the fashionable surroundings of Bond Street, where gentlemen sought the services of skilled barbers, perfumers and hairdressers.
The Truefitt name became associated not merely with the act of grooming, but with the confidence placed in an experienced professional.
In an age when reputation was earned through personal recommendation and maintained through consistent service, such trust was among a tradesman's most valuable possessions.
A Familiar Name in London's Society
Throughout the nineteenth century, Truefitt's clientele reflected the changing character of British society.
The firm attended to members of the aristocracy, military officers, statesmen, writers and other distinguished figures whose names would become familiar far beyond London.
Its reputation even found a place in English literature.
William Makepeace Thackeray referred to Truefitt in his novels, while Charles Dickens mentioned the barbers in The Uncommercial Traveller, preserving a small but fascinating glimpse of everyday life within the establishment.
The firm's influence extended beyond its salon chairs.
Its stock books and historical records reveal a business engaged in the development and sale of hair preparations, fragrances and other articles of personal care. In 1878, the company's records even documented the manufacture of lipstick in Bond Street.
These details reveal something important about Truefitt's early character: although firmly rooted in tradition, it was never entirely resistant to change.
Its longevity would depend upon understanding the evolving needs of its clientele while preserving the standards upon which its reputation had been built.
The Union of Two Establishments
In 1911, Edwin Hill established his own barbering business at 23 Old Bond Street, adding another distinguished name to London's grooming trade.
In 1935, the Truefitt business joined with Edwin Hill's establishment, creating the firm known today as Truefitt & Hill.
The union brought together two businesses sharing an appreciation for traditional barbering, professional expertise and attentive personal service.
It also marked a new chapter in the history of a company already more than a century old.
The decades that followed were not without difficulty.
During the Second World War, the business continued operating through the London Blitz, temporarily relocating after its premises suffered bomb damage.
Its survival through wartime London, economic change and the gradual disappearance of many traditional trades speaks to the resilience of an institution whose purpose remained relevant even as the world around it changed.
A Home in St. James's
In 1994, Truefitt & Hill moved to 71 St. James's Street, the address it continues to occupy.
St. James's has long been associated with London's established specialist merchants: makers and purveyors of fine clothing, footwear, hats, wines and other carefully chosen goods.
Within this neighbourhood, Truefitt & Hill continues the traditions of the English barbershop.
The experience remains founded upon skilled hands, attentive service and an understanding that grooming is not simply a necessity, but can be a welcome moment of care and composure within the day.
Traditional haircuts, hot-towel shaves and other grooming services preserve a direct connection with the company's original trade.
The surroundings may have changed since 1805, but the relationship between barber and client remains recognisable.
The Art of the Gentleman's Toilette
Alongside its barbering services, Truefitt & Hill has maintained a long association with the preparation of fragrances, shaving products and articles of personal care.
Its contemporary collection includes traditional shaving creams and soaps, aftershaves, colognes, hair preparations, bath products and grooming accessories.
Among its established fragrance families are names such as 1805, Trafalgar, Grafton, West Indian Limes and Sandalwood, each contributing a distinctive character to the wider collection.
These preparations extend the experience of the traditional barbershop into the home, allowing familiar rituals to be enjoyed with the same deliberation and attention to detail.
The products are not merely an accompaniment to the company's services. They form part of a continuing tradition in which the barber's understanding of grooming informs the preparations offered to the customer.
An Enduring Place in History
In 2000, Guinness World Records formally recognised Truefitt & Hill as the world's oldest barbering business, acknowledging a history extending back to its foundation in 1805.
The distinction is remarkable, but the company's true achievement lies in something less easily measured.
For more than two centuries, generations of barbers have welcomed clients through its doors, practised their craft and passed on the knowledge upon which the establishment was built.
Its history encompasses the Georgian court, Victorian society, two world wars and the emergence of the modern grooming industry.
Yet its essential purpose remains unchanged.
Truefitt & Hill continues to offer the experience of skilled personal service, supported by a collection of grooming preparations shaped by a long tradition of use.
Why Truefitt & Hill Belongs in The House
At The Classic Blade Company, we believe that the finest establishments are not defined solely by the goods they offer, but by the principles that govern their conduct.
Knowledge, consistency, hospitality and an enduring commitment to service are qualities that cannot be established overnight. They are cultivated through experience and preserved by those entrusted with carrying them forward.
Truefitt & Hill represents a particularly compelling example of this philosophy.
Its history demonstrates that tradition need not be static, and that a business may evolve with successive generations without surrendering the character that first earned the confidence of its customers.
We admire its devotion to the barber's craft, its longstanding relationship with the preparation of fine grooming products, and its understanding of the importance of personal service.
Above all, we value what its continued existence represents: the belief that an establishment should aspire to become something more enduring than the transactions it conducts.
These are principles upon which we, too, hope to build.
A heritage of service. A tradition worth preserving.
Selected for The House by The Classic Blade Company.




























